All EYCK, Jan van Oil Paintings

Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
 
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EYCK, Jan van The Holy Hermits oil on canvas


The Holy Hermits
The Holy Hermits
Painting ID::  32319 		  1427-30 Oil on wood, 148,6 x 53,9 cm
  1427-30 Oil on wood, 148,6 x 53,9 cm

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EYCK, Jan van The Holy Pilgrims oil on canvas


The Holy Pilgrims
The Holy Pilgrims
Painting ID::  32320 		  1427-30 Oil on wood, 148,7 x 54,2 cm
  1427-30 Oil on wood, 148,7 x 54,2 cm

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EYCK, Jan van Cain and Abel oil on canvas


Cain and Abel
Cain and Abel
Painting ID::  32321 		  1425-29 Oil on wood, 212,9 x 37,1 cm
  1425-29 Oil on wood, 212,9 x 37,1 cm

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EYCK, Jan van Adam (detail) oil on canvas


Adam (detail)
Adam (detail)
Painting ID::  32322 		  1425-29 Oil on wood
  1425-29 Oil on wood

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EYCK, Jan van Adam (detail) oil on canvas


Adam (detail)
Adam (detail)
Painting ID::  32323 		  1425-29 Oil on wood
  1425-29 Oil on wood

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     EYCK, Jan van
     Flemish Northern Renaissance Painter, ca.1395-1441 Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.

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